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. Opening Event: Saturday, July 18, 6:00–10:00 p.m.

Drawing on Dutch Golden Age tradition, I investigate beauty and impermanence—the Ghost Tulip captures petals dissolving into atmosphere, suspended between bloom and decay. Colored pencil on paper

To me, the crow symbolizes the alchemy of feeling — the slow, internal process through which pain is transformed into understanding and grief into creation. It carries within its darkness a strange kind of light. It’s what light leaves behind.

For me, this small match is less about fire than about consequence. Once lit, it cannot return to what it was. Its beauty — in the blue...

Chalk and charcoal What haunts the eye most is the smoke. It drifts, pale and ephemeral, refusing form, just as the presence of a lost...

To draw it was to sit at the edge of dream. The pillow spoke to me in silence, not as an object but as a soft ghost of what once rested...

What unsettles me most is the silence around it. The bird does not narrate its fall; it simply is. In that stillness, the painting...

When I drew these two mushrooms, I let their stems cross and knot together almost instinctively. The lines weren’t meant to be perfectly...

In studying the butterfly wing, I am reminded that nature builds with both precision and poetry. Every margin, vein, and angle serves a...

In this watercolor, I wanted to evoke the quiet truth of impermanence through the delicate presence of butterflies. Their lives unfold in...

In this ink drawing, I was drawn to the tension within the form itself. These shells are made for protection — spiked, ridged, enclosed —...

In this drawing of a hooded crow ( Corvus cornix ), I wanted to capture more than just the form of the bird—I was drawn to its mythic...

In a quick study like this, there’s a rawness that resists perfection—each line is a leap of faith, and the pencil becomes a medium for...

This drawing of three tulip buds began as a quiet study, but as I worked, it began to feel like something more tender—an expression of...

Perched delicately on a near-invisible branch, the chickadee in this painting becomes a quiet symbol of fleeting resilience. Rendered...

As my final painting of Solanum lycopersicum takes shape, I find myself deeply engaged in the exploration of color—both in its technical...

I’m deeply thankful to Ignatian Literary Magazine at the University of San Francisco for including my artwork "Abstract" in Volume 37 ....

Pleurotus ostreatus This week, I focused on Pleurotus ostreatus , commonly known as the oyster mushroom. Working with black and white...