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I was letting the sea hold something for me — something I didn’t know how to name.

To me, the crow symbolizes the alchemy of feeling — the slow, internal process through which pain is transformed into understanding and grief into creation. It carries within its darkness a strange kind of light. It’s what light leaves behind.

For me, this small match is less about fire than about consequence. Once lit, it cannot return to what it was. Its beauty — in the blue...

When I worked on this spoon, I wasn’t just interested in drawing it accurately — I wanted to see how light alone could give it presence*....

When I was making this study, I wasn’t so much thinking about a sail as I was about how it could almost disappear into atmosphere. The...

From Minimalism , I take the idea of restraint: the decision to remove excess, to strip down to what is essential. From Color Field...

The sea impacts the human psyche because it reflects its structure. Like the mind, it possesses surface calm and hidden turbulence,...

When I painted this swimmer, what I was really painting was surrender. There is a moment when the body yields to the water, when the arms...

That’s the deceptive beauty of perception. I don’t actually see the world as it is—I see the version my brain builds for me, stitching...

Chalk and charcoal What haunts the eye most is the smoke. It drifts, pale and ephemeral, refusing form, just as the presence of a lost...

To draw it was to sit at the edge of dream. The pillow spoke to me in silence, not as an object but as a soft ghost of what once rested...

In these tokens is revealed a single occult law—that death is no ruin, but transformation, a shifting of essence into subtler realms. The...

This painting began as an exercise on temptation , and I found myself circling around its familiar symbols—the fruit, the serpent, the...

What unsettles me most is the silence around it. The bird does not narrate its fall; it simply is. In that stillness, the painting...

This kind of study is always a struggle for me. The moment I sit with the tree and try to translate its twisted form onto paper, I feel...

When I drew these two mushrooms, I let their stems cross and knot together almost instinctively. The lines weren’t meant to be perfectly...

This study focuses on the anatomy and posture of a deer in a prone position. Using graphite, I explored the weight distribution of the...

Specimen rendered upon black ground to heighten contrast of pallor against depth. Outer petals exhibit marked curling and fraying at...

In studying the butterfly wing, I am reminded that nature builds with both precision and poetry. Every margin, vein, and angle serves a...

Pencils on paper / 30x21 cm Excitement, here, takes the shape of a cat leaning into the promise of discovery — a poised arch of the back,...