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In this ink drawing, I was drawn to the tension within the form itself. These shells are made for protection — spiked, ridged, enclosed —...

In this piece, inspired by Alphonse Mucha, I explore the concept of the moon through the lens of longing. I wanted to capture a sense of...

In this drawing, I took inspiration from Guercino’s angel of the Annunciation but intentionally reimagined it with a more dramatic...

This drawing is my personal reinterpretation of La Danseuse  by Pierre-Paul Prud’hon. I chose to work in charcoal and white chalk on...

This drawing is a personal study based on Boullogne’s angels, but filtered through the lens of a darker myth — that of the demon angel. I...

By studying one of Tiepolo’s angels seated on a cloud, I wanted to tap into that sense of peace and otherworldliness. I worked in...

This drawing is a sketch study based on John Singer Sargent’s sculpture Eros and Psyche , a composition that captivated me for its...

In this drawing of a hooded crow ( Corvus cornix ), I wanted to capture more than just the form of the bird—I was drawn to its mythic...

There is a love that does not fade, even as seasons shift and names are forgotten. It moves quietly beneath the surface, steady as...

There’s something about this sketch — the cat mid-stretch, eyes closed, body arched in that luxurious curve — that feels like a perfect...

In a quick study like this, there’s a rawness that resists perfection—each line is a leap of faith, and the pencil becomes a medium for...

This drawing of three tulip buds began as a quiet study, but as I worked, it began to feel like something more tender—an expression of...

In this piece, I wanted to capture the fleeting, delicate presence of a small bird—one of those quiet, watchful moments you catch out of...

This drawing began as a simple study of a sparrow—light, quiet, almost fleeting. But as I worked, it became something heavier, more...

Perched delicately on a near-invisible branch, the chickadee in this painting becomes a quiet symbol of fleeting resilience. Rendered...

As my final painting of Solanum lycopersicum takes shape, I find myself deeply engaged in the exploration of color—both in its technical...

I’m deeply thankful to Ignatian Literary Magazine  at the University of San Francisco for including my artwork "Abstract"  in Volume 37 ....

Quercus  spp. This ink study of Quercus  spp. captures the quiet strength and elegance of the oak. I focused on the gentle curve of the...

Pleurotus ostreatus This week, I focused on Pleurotus ostreatus , commonly known as the oyster mushroom. Working with black and white...

I’m deeply honored and grateful to Assignment , the journal of Southern New Hampshire University’s MFA program, for publishing my...