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I’m deeply honored and grateful to Assignment , the journal of Southern New Hampshire University’s MFA program, for publishing my...

The tenderness is in the looseness, in the refusal to trap the bird in exactness. Its form is there, yes, but it’s softened, like it’s...

This little bear feels like it's drifting. I wanted to capture the translucency without over-defining it—the way light sort of hums...

I wanted this one to feel cool and crystalline—almost like it’s made of ice instead of sugar. Using colored pencils, I focused on...

It’s just a single piece of hard candy, wrapped and resting on a neutral gray surface—but it holds your eye. I wanted to capture that...

In this painting, I was drawn not to the shell as a marine object, but to what it evokes: fragility, exposure, the ache of tenderness...

At the core of Study no. 89 lies a disciplined exploration of form—its rhythm, density, and presence. The shell, rendered in layered...

Oil pastel and acrylic ink on toned paper Painted en plein air Shells No. 3 was born from a moment of stillness by the sea. Painted en...

https://www.saatchiart.com/en-gr/art/Painting-Abstract-2/2023009/11748679/view https://ignatianlitmag.com This work inhabits the...